KENDRA FILMZ

Words by
Naz Hamdi
Photography by
Simon Wheatley
Styling by

Neesha Badass

From flowerovlove to N4T, Kendra Filmz has spent her early twenties shooting London’s tastemakers on their way up. Naz Hamdi meets the 21-year-old visual artist quietly changing the frame.

Growing up in the YouTube vlog era, Kendra’s first love was music videos. She’d spend her time watching each frame in awe, filled with an ambition to capture people in the same way. At a certain point in her childhood, her interest gradually became a part of her daily life where she would record herself, the people around her and the world she was living in — those first experiences with a camera influenced what was destined for her. When she was approaching her teenage years, Kendra would frequently buy a disposable camera, taking pics of her friends in school. That spurred her into pursuing film production at college, where she was able to direct music videos and get into cinematography — a subject she opted to study further at university.

Kendra Umutoni, also known as Kendra Filmz, a twenty-one-year-old visual artist from South London, is steadily becoming one of the defining artists of her generation, capturing and speaking to what — and who — is important in the London creative landscape. At the beginning of her career, the film industry exposed her to varying levels of nepotism and inaccessibility, so she took the initiative to not let it deter her. Continuing to focus on working with friends who made music, supporting their visual identity and producing really cool shoots with them, Kendra leaned into her community. The first artist Kendra worked with and still has a close relationship with is childhood friend and pop musician flowerovlove. Over the past year she has also shot the likes of Juveniall, Natanya and Deela.

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A lot of people were first introduced to Kendra Filmz through N4T’s iconic album cover for GHANAMUSTGO which stamped her as one to watch. Alongside editorial shoots of her friends, documenting them as they’re shaping music and youth culture in bold, colourful and creative ways (that often have a green shadow which has now become her signature), the GHANAMUSTGO cover is a wonderful introduction to her work if you haven’t come across it before. And when it comes to inspiration, Kelis’s Tasty era and Rihanna’s Rude Boy music video both had a significant influence on her work.

What makes Kendra so great is how honest and collaborative her work feels. It really touches a lot of people. And the ecosystem full of other movers and shakers she is a part of — including Lavinia Venencia, Ethiostarr, HK Living, Ehsi, Retz, Bfixedit, Abbi Siu and more — is shaping a lot of what’s taking place creatively in the city. Kendra is a visual artist whose name will easily be up there alongside the likes of Gabriel Moses, Deana Lawson and Renell Medrano in no time — a great coming into focus — frame by frame.

WHAT’S HOT: Colour is super-hot. Adding a pop of colour to anything and everything is hot.
WHAT’S NOT: Limiting belief is unhot. Freezing in fact.

Read the full feature in RWD Magazine Issue
133
available to RWD members in our Online Shop.
Read the full feature in RWD Magazine Issue
133
available to RWD members in our Online Shop.
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